{"id":725,"date":"2021-09-02T19:28:38","date_gmt":"2021-09-02T19:28:38","guid":{"rendered":"https:\/\/companhiamaior.pt\/en\/?page_id=725"},"modified":"2022-12-09T16:11:21","modified_gmt":"2022-12-09T16:11:21","slug":"a-visita-da-velha-senhora","status":"publish","type":"page","link":"https:\/\/companhiamaior.pt\/en\/a-visita-da-velha-senhora\/","title":{"rendered":"A visita da velha senhora"},"content":{"rendered":"\t\t
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Nuno Cardoso<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A Visita da Velha Senhora<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The visit of the richest woman<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2013<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In 1956, D\u00fcrrenmatt wrote a brilliant play about a ruined city awaiting the visit of the richest woman in the world to instigate its economic recovery. Exactly fifty-six years later, it would be hard to find another text that takes us back, with such great precision, to the ethical and political confusion into which the state of financial need casts a community that has always been guided by conventional values. Claire Zachanassian is the archetype of power, of its discretion and its driving force. She is the face of money, cold and determined.<\/span><\/p>

This staging of The Visit<\/i>, however, is the face of collaboration and the potentialities of artistic sharing and investment with the aim of constructing a show on a scale that is unusual, especially in these times of crisis.<\/span><\/p>

Two companies and two theatres (so far…) have joined forces, casts, creative and technical teams, to pursue the idea of Theatre as a mechanism, dark and comical, for questioning ourselves.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Credits<\/h5>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Text
Friedrich D\u00fcrrenmatt<\/strong><\/p>

Translation
Jo\u00e3o Barrento<\/strong><\/p>

Director
Nuno Cardoso<\/strong><\/p>

Cast
Maria Jo\u00e3o Lu\u00eds, Hor\u00e1cio Manuel, C\u00e2ndido Ferreira, Lu\u00eds Lucas, T\u00f3nan Quito, Daniel Pinto, Jo\u00e3o Melo, Pedro Frias<\/strong><\/p>

and<\/p>

Ant\u00f3nio Pedrosa, Carlos Nery, Cristina Gon\u00e7alves, Diana Coelho, Helena Marchand, Isabel Millet, Isabel Sim\u00f5es, Iva Delgado, Jorge Fal\u00e9, J\u00falia Guerra, Kimberley Ribeiro, Manuela de Sousa Rama, Paula B\u00e1rcia, V\u00edtor Lopes<\/strong> (Companhia Maior)<\/p>

Staging assistant and movement director
V\u00edtor Hugo Pontes
<\/strong>Scenography
F. Ribeiro
<\/strong>Lighting designer
Jos\u00e9 \u00c1lvaro Correia
<\/strong>Original music
Rui Lima, S\u00e9rgio Martins
<\/strong>Producers from Ao Cabo Teatro
Carla Moreira,
<\/strong>H\u00e9lder Sousa
<\/strong>Producer from Companhia Maior
Lu\u00eds Moreira<\/strong><\/p>

Co-production
Ao Cabo Teatro, Companhia Maior, Centro Cultural Vila Flor, S\u00e3o Luiz Teatro Municipal<\/strong><\/p>

Support
CNB \u2013 Companhia Nacional de Bailado
<\/strong>Centro Cultural de Bel\u00e9m
<\/strong>Funda\u00e7\u00e3o EDP<\/strong><\/p>

Acknowledgements<\/h5>

Agostinho Feixeira \u2013 M\u00f3veis e Velharias Atelier Real<\/strong>
Lisbon City Council<\/strong>
Municipal Directorate of Urban Environment \/ Public Lighting Division<\/strong>
Celso Costa<\/strong>
Carlota Maricato<\/strong>
Cristina Vidal<\/strong>
Daniela Costa<\/strong>
Dinis Pedroso<\/strong>
Funda\u00e7\u00e3o EDP<\/strong>
Mundo Perfeito<\/strong>
M Ventura & Partners<\/strong>
Paula Braga \u2013 Centro de Documenta\u00e7\u00e3o TNSJ Teatro da Trindade \u2013 Funda\u00e7\u00e3o Inatel<\/strong><\/p>

Performances<\/h5>

PREMI\u00c8RE
7 – 27 March 2013
<\/strong>S\u00e3o Luiz Teatro Municipal
Lisbon<\/p>

FURTHER PERFORMANCES<\/p>

30 March 2013
<\/strong>Centro Cultural Vila Flor
Guimar\u00e3es<\/p>

10 – 14 July 2013
<\/strong>Teatro Nacional S\u00e3o Jo\u00e3o
Porto<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Photos: \u00a9 Bruno Sim\u00e3o<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Nuno Cardoso A Visita da Velha Senhora The visit of the richest woman 2013 In 1956, D\u00fcrrenmatt wrote a brilliant play about a ruined city awaiting the visit of the richest woman in the world…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_theme","meta":{"footnotes":""},"class_list":["post-725","page","type-page","status-publish","hentry"],"yoast_head":"\nA visita da velha senhora - Companhia Maior<\/title>\n<meta name=\"description\" content=\"Esta montagem d\u2019A Visita da Velha Senhora \u00e9, ao contr\u00e1rio da pe\u00e7a fulgurante de 1956 de D\u00fcrrenmatt, a face da colabora\u00e7\u00e3o e das virtualidades da partilha art\u00edstica e de investimento com o objetivo de construir um espet\u00e1culo \u00e0 escala que j\u00e1 n\u00e3o \u00e9 habitual, nestes tempos de todas as crises.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/companhiamaior.pt\/en\/a-visita-da-velha-senhora\/\" \/>\n<meta property=\"og:locale\" content=\"pt_PT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A visita da velha senhora - 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