{"id":693,"date":"2021-09-02T18:34:54","date_gmt":"2021-09-02T18:34:54","guid":{"rendered":"https:\/\/companhiamaior.pt\/en\/?page_id=693"},"modified":"2022-12-09T16:04:04","modified_gmt":"2022-12-09T16:04:04","slug":"um-de-nos","status":"publish","type":"page","link":"https:\/\/companhiamaior.pt\/en\/um-de-nos\/","title":{"rendered":"Um de n\u00f3s"},"content":{"rendered":"\t\t
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Peter Vandenbempt<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Um de n\u00f3s<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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One of us<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2014<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Um de n\u00f3s <\/span><\/i>(One of us) is a play with a strict, three-part structure. The first part consists of around 200 statements about politics, beginning with the words \u2018In politics…\u2019 followed by opinions, statements (more or less accurate), clich\u00e9s and other supposed truths we glean from conversations in caf\u00e9s, television or the internet. They appear to say something true about politics, but, at the same time, they are easy to refute. The accumulation of statements illustrates the complexity of the topic.\u00a0<\/span><\/p>

The second part, which has an identical number of statements, begins with the words \u2018In love…\u2019. The declarations about love require us to look back at the first part from a new perspective. After politics and public life, we have moved on to amorous relationships. Both systems of relationship present similar problems, which is amusingly illustrated, as most of the statements about politics can also be applied to love. The greatest difference is the level of emotional involvement.\u00a0<\/span><\/p>

In the third part, we are confronted with a collection of fait-divers<\/i>, confessions and personal secrets from the actors themselves. We continue moving from the general to the specific: from politics, through personal relationships, to the individual. Each phrase in the third part thus begins with the words \u2018One of us…\u2019.\u00a0<\/span><\/p>

The text is created in collaboration with the actors. The responses are genuine, but no one knows to whom each statement or confession belongs.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Credits<\/h5>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Director
Peter Vandenbempt<\/strong><\/p>

Cast
Carlos Fernandes, Elisa Worm, Isabel Sim\u00f5es, Jo\u00e3o Silvestre, J\u00falia Guerra, Maria Helena Fal\u00e9, Maria Jos\u00e9 Bai\u00e3o, Maria Emilia Castanheira<\/strong><\/p>

Staging assistant
Henrique Neves<\/strong><\/p>

Text
Peter Vandenbempt<\/strong> in collaboration with the cast and Henrique Neves<\/strong><\/p>

Translation
Susana Canhoto
<\/strong>Translation support
Flemish Literature Fund
<\/strong>Scenography
Emma Denis
<\/strong>Master carpenter
Jo\u00e3o Paulo Ara\u00fajo
<\/strong>Videography
Patr\u00edcia Saramago
<\/strong>Photography
Bruno Sim\u00e3o
<\/strong>Producer from Companhia Maior
Lu\u00eds Moreira
<\/strong>Production assistant
L\u00facia Marta<\/strong><\/p>

Commissioned by
Maria Matos Teatro Municipal<\/strong><\/p>

Co-production
Companhia Maior, Tristero <\/strong>and Maria Matos Teatro Municipal<\/strong><\/p>

Tristero is supported by Flemish Authorities \u2013 International Projects and Vlaamse Gemeenschapscommissie van het Brussels Hoofdstedelijk Gewest<\/p>

Acknowledgements<\/h5>

Centro Cultural de Bel\u00e9m
<\/strong>Comuna Teatro de Pesquisa
<\/strong>Teatro Cam\u00f5es
<\/strong>Efic\u00e1cia Livre<\/strong><\/p>

Performances<\/h5>

PREMI\u00c8RE
29 October – 2 November 2014
<\/strong>Maria Matos Teatro Municipal
Lisbon<\/p>

FURTHER PERFORMANCES<\/p>

24 March 2018
<\/strong>Audit\u00f3rio Municipal Ant\u00f3nio Silva
Cac\u00e9m<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Photos: \u00a9 Bruno Sim\u00e3o<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Peter Vandenbempt Um de n\u00f3s One of us 2014 Um de n\u00f3s (One of us) is a play with a strict, three-part structure. 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